Compared to most full-featured analog cameras, the Lomography Fisheye No. 2 shows that its limitations are its most artistic attributes. With the Fisheye No. 2, I don’t have to think what ASA/shutter/aperture I need to get that unique xpro look. I can get those rich saturated colors with the fixed settings of the Fisheye 2. Combined with an xpro-d Fuji Velvia 100F, the result of orangey, dark blue and violet tones make a wonderfully artistic and unique image.